True/False
Indicate whether the
statement is true or false.
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1.
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The rate stretch tool can slow down or speed up a clip.
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2.
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The ripple edit tool leaves a gap in the timeline after adjusting an
“in-point” or “out-point”.
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3.
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Holding the Alt key on the keyboard while using the zoom tool enable the
alternate function of the zoom tool (zoom out).
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4.
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The razor tool can cut through multiple tracks and multiple clips at the same
time.
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5.
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Outdoor light tends to be slightly reddish because of the sun.
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6.
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The focal length of a lens determines whether it is wide angle, normal, or
telephoto.
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7.
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Depth of field is the distance in front of the plane on which the lens is
focused.
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8.
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A polarizer is a filter used primarily to reduce incoming light.
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9.
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An “ND3” neutral density filter reduces the aperture by 3
f-stops.
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Multiple Choice
Identify the
choice that best completes the statement or answers the question.
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10.
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What tool would you use to perform an edit without leaving a gap in the
timeline?
a. | link tool | c. | ripple edit tool | b. | selection tool | d. | fade scissors
tool |
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11.
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What tool allows you to adjust the outpoint of a clip and the in point of the
next adjoining clip simultaneously?
a. | ripple edit tool | c. | slip edit tool | b. | rolling edit tool | d. | slide edit tool |
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12.
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What tool would you use to adjust the volume level of a clip between two
"knots"?
a. | fade adjustment tool | c. | crossfade tool | b. | pen tool | d. | selection tool |
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13.
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What would you use to select several clips in different tracks on
the timeline?
a. | ripple edit tool | c. | multirazor tool | b. | multitrack selection tool | d. | omnirange selection
tool |
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14.
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If possible, the front of a lens should always be covered by at least this
filter
a. | neutral density | c. | polarizer | b. | UV/1a/Skylight |
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15.
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When first turned on, most camcorders set focus and exposure controls to
____
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16.
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which item is not appropriate for cleaning a lens?
a. | lens brush | c. | microfiber cloth | b. | clean facial tissue | d. | photo lens
tissue |
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Completion
Complete each
statement.
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17.
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In the NTSC television system used un North America, each complete frame of
picture is made of two fields combined in a process called____________________.
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18.
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A tripod has three legs instead of four, so
that_________________________________________________________________________________________________________________.
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19.
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Name any three controls on a tripod___________________________________.
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20.
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List two advantages of the external viewfinder____________
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21.
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Identify one of the reasons why a reference monitor is
useful.___________________
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22.
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An aperture is indicated by the letter____, which stands for___________.
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23.
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The “normal” shutter speed for NTSC video is _______.
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Matching
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a. | Screen Direction | f. | Character Dolly | b. | Multi-Level Action | g. | Staging | c. | Discovery | h. | Dramatic Angle | d. | Depth Staging | i. | Tilted Horizon | e. | Camera
Height | j. | Extreme
Close-Up |
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24.
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Moving the camera low to high or high to low
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25.
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Camera tilted up at a sharp angle
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26.
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The direction an object is facing in a scene
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27.
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Tipping the camera to increase tension in the scene
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28.
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A magnified view of a small object
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29.
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Filming in very long sections
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30.
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Placing characters in the frame at excessive distances
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31.
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The audience watches one scene occur in the foreground while another occurs in
the background
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32.
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Camera starts as wide shot and is pushed forward reaching for a close-up and
beyond
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33.
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Camera shot that begins away from the action and then moves to reveal the
scene
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a. | Track through solid | f. | Vertigo | b. | Dolly up, Dolly down | g. | Pull Back Retraction | c. | Pull Back
Reveal | h. | Fly
Over | d. | Spin Around | i. | Depth Dolly | e. | Discovery | j. | Spin Look |
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34.
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Camera movement that is perpendicular to a scene's line of action.
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35.
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Any shot that begins away from the action and then a camera movement that
reveals a scene
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36.
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Camera is carried in a flying aircraft, an airplane, a helicopter, a blimp, or
a balloon.
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37.
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Circling the camera around the scene in progress, creating a dizzying kinetic
effect.
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38.
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The camera faces a scene and moves backwards distancing the audience
emotionally from the action occurring onscreen.
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39.
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Camera moves backward to reveal the true extent of a scene.
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40.
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Moving the camera while it is tilted at an unusual angle.
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41.
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The camera spins around an actor to get a glimpse of what he is looking
at.
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42.
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The camera seems as if It has accomplished something impossible passing through
a solid surface or object.
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43.
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Exaggerates perspective. Also called "dolly zoom". Move
the camera in while zooming out or moving the camera back while zooming in.
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a. | POV Object | f. | Dark Voyeur | b. | Expand Dolly | g. | Inventory POV | c. | Voyeur | h. | Mask
Vignette | d. | Collapse Dolly | i. | Contact Dolly | e. | POV | j. | Reflection |
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44.
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Framing from a hidden location give impression that someone is watching them,
but doesn't want to be seen.
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45.
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Takes the perspective of an inanimate object.
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46.
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Character carries an object in front of his face. You can see the object
in the frame.
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47.
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A shot specifically designed to make us feel that we are spying on the
characters on screen.
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48.
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Camera follows an actor who is moving away. As the camera moves forward,
the actor walks faster than the camera distancing himself from the audience.
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49.
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Camera moves backwards while facing actor - the actor walks faster than the
camera, eventually overtaking it. The actor then passes out of the frame to the right or
left.
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50.
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An area of the screen that is blacked out to represent what we would see if our
field of vision was reduced.
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51.
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Moves camera Forward as an actor walks toward the camera at the same time,
making a simple action more dramatic (interesting).
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52.
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Forces us to see a reality that has been distorted for a brief period of
time.
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53.
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It is like looking through the eyes of the character.
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a. | Clip
Tail | f. | Time
Code | b. | In Point | g. | Video Effects | c. | Out Point | h. | Scale | d. | Video Transition | i. | Crop | e. | Audio Transition | j. | Aspect Ratio |
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54.
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The blending of one audio clip to another.
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55.
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The relation of the width of the picture to the
height.
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56.
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The ability to change the visual appearance of your video clips.
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57.
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The ability to cut out areas of your video.
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58.
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The absolute endpoint of a clip.
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59.
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The visual movements as one picture or video clip
changes to another
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60.
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The ability to change the size of your video clip without changing it's
aspect ratio.
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61.
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The last frame or end of a used clip.
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62.
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a numbering system encoded in the video tape
itself. It measures time in the following format: hh:mm:ss:ff, where h= hours, m=minutes, s=seconds
and f=frames.
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63.
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The beginning or first frame of a used clip.
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a. | Bin | f. | Capture | b. | Timeline | g. | Batch Capture | c. | Track | h. | Log
Clips | d. | Source Monitor | i. | Clip | e. | Program Monitor | j. | Clip Head |
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64.
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A shot video. Put a group of these together to produce a "spot"
or program.
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65.
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A the area in the editing program where all your source material can be
found.
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66.
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The monitor that shows what the audience will eventually see.(the final
product)
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67.
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The area of the edit software in which clips are placed sequentially to create
a video.
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68.
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The process of putting video from tape to computer
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69.
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A single horizontal line of video or audio inside the timeline.
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70.
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The monitor that shows you the material you are using. (not the final
product)
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71.
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The absolute beginning of a clip.
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72.
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An automated process in which the computer seeks and captures a series of in
and out points on a tape.
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73.
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Creating a list of in and out points for the computer to use to automatically
capture video.
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a. | Bin | f. | Capture | b. | Timeline | g. | Batch Capture | c. | Track | h. | Log
Clips | d. | Source Monitor | i. | Clip | e. | Program Monitor | j. | Clip Head |
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74.
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A the area in the editing program where all your source material can be
found.
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75.
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The monitor that shows what the audience will eventually see.(the final
product)
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76.
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The area of the edit software in which clips are placed sequentially to create
a video.
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77.
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The process of putting video from tape to computer
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78.
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A single horizontal line of video or audio inside the timeline.
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79.
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The monitor that shows you the material you are using. (not the final
product)
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80.
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The absolute beginning of a clip.
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81.
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An automated process in which the computer seeks and captures a series of in
and out points on a tape.
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82.
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Creating a list of in and out points for the computer to use to automatically
capture video.
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a. | Key
Frame | f. | Waveform | b. | Motion | g. | Toggle | c. | Rate | h. | Title | d. | Duration | i. | Opacity | e. | Audio Effects | j. | Lower
Third |
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83.
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The time it takes for a clip to
play.
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84.
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Changing the original
properties of audio.
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85.
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The term used for a graphic at
the bottom of the TV screen
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86.
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Computer graphics usually
superimposed on video.
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87.
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a frame used to indicate the
beginning or end of a change made to the video
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88.
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The speed (usually measured in
percent) at which a clip is played.
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89.
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The level of transparency of a
clip or graphic.
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Short Answer
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90.
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What is the name of this tool?
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91.
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What is the name of this tool? 
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92.
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Why do three-chip cameras generally produce a better picture than one chip
cameras?
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93.
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What is the difference between a “field” and a
“frame”?
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94.
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What is the difference between “planning” and
“tilting?”
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95.
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Why does “digital zoom’ produce an inferior quality image?
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96.
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Two examples of shutter programs
are
_______________________________________________________________
_______________________________________________________________
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97.
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Explain “maintaining lead room”
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Essay
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98.
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What does this tool do? 
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99.
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What does this tool do? 
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100.
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What is this tool used for? 
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